BETTY : HANDFUL (US'71)

Hard-Psychedelic-Boogie-Biker-Rock (??!!)

This album was released in 1971 and it's now one of the rarest US Hard-Psych album ever issued.Original copies (only 200 pressed) are impossible to find in any condition.A VG+/EXC copy was sold few months ago for 1000$(!!!).
Amazing heavy fuzzguitar,great vocals,organs,the whole thing.

Here's the Deal :
http://rapidshare.com/files/9429347/betty_handful.rar.html
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SUCCOUR - THE TERRASCOPE BENEFIT ALBUM (1996)

Great Psychedelic Compilation (2 cd)

All tracks are Previously Unreleased except for track 7 disc 1.

Here's the Deal :

disc 1
http://rapidshare.com/files/9424335/succour_cd_1.rar.html


disc 2
http://rapidshare.com/files/9426150/succour_cd_2.rar.html

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MYSTERY BAND : MYSTERY ALBUM (?????'19xx)

You Call That Music ??????

Hope you'll like it.

This is for FZ.

Here's the Deal :
http://rapidshare.com/files/9422391/you_call_that_music.rar.html
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KRAUT! DEMONS! KRAUT!

GERMAN PSYCHEDELIC UNDERGROUND 1968-1974


1. Aero Sound
2. Staff Carpenborg and the Electric Corona
3. Margareta Juvan and Can
4. Trash
5. Motherhood
6. Exmagma
7. Guenther Kaufmann
8. Heart of Blues
9. Jo Hamann
10. Checkpoint Charlie
11. Just We
12. Shanandoa
13. Giants
14. Elegy
15. Limbus 4
16. Les Etoiles Filantes
17. Magic Group
18. Electric Sandwich
19. Uncertain Midnight
20. Can
21. Exmagma

Here's the Deal :
http://rapidshare.com/files/8854339/Kraut.rar.html
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JOY UNLIMITED : SCHMETTERLINGE (GERMANY'71)

HEAVY-PROG-PSYCH KRAUT!!!

Plus 4 Bonus Tracks

The original LP was on the legendary Pilz label.With 4 bonus tracks from 1971:2 ones from a 7" single,one from a sampler LP and one broadcasted live.
Hard Progressive with elements of ballet music,psychedelia,blues and jazz.Good female vocals,in English language.The title means "Butterflies."

Here's the Deal :
http://rapidshare.com/files/8837851/Schmetterlinge.rar.html
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CARMEN MAKI & OZ : TOZASARETA MACHI (JAPAN'76)

HeavyProgPsych !!!!

Great heavy progressive psychedellic rock.Year 1976 original 2nd LP. Carmen Maki is a female vocalist related to "J.A. Caesar" and "Blues Creation". A gorgeous album that should appeal to all garage fans,psych heads,mondo music lovers and acid freaks.Merry Xmas.

Here's the Deal :
http://rapidshare.com/files/8811691/Carmen.rar.html
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ORNETTE COLEMAN :

The Shape of Jazz to Come (1959)
Plus
Tomorrow is the Question! (1959)

2 Albums from 1959 : Ornette before "Free Jazz"


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http://rapidshare.com/files/7860301/Ornette.rar.html
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PINK FAIRIES : MANDIES AND MESCALINE ROUND @ UNCLE HARRY'S (1970)


BBC Recordings + Live

It contains the best version of 'The Snake' (Top Gear 28/11/70).The four BBC tracks have been augmented by 'Do It' and 'Uncle Harry's Last Freakout' from the 'Glastonbury 71' triple album. Fans of the early Pink Fairies will know what to expect,crunching guitars,pounding drums and frenzied psychedelia.GREAT.

Here's the Deal :
http://rapidshare.com/files/7857785/Mandies_and_Mescaline.rar.html
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RUMPLESTILTSKIN : BLACK MAGICIANS (GERMANY'70-'71)

Rare Kraut - Prog - Psych

Good Kraut-Prog with excellent organ & fuzzguitar battles.

Here's the Deal :
http://rapidshare.com/files/7855415/Rumplestiltskin.rar.html
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PHAROAH SANDERS : KARMA (US'69)

The Creator has a Master Plan

John Coltrane left behind a legacy of experimental and extremely spiritual work whose timeless quality still reverberates today. After his untimely death many poseurs came out to stake their claim as the next Coltrane. Many tried and many failed. Then in 1969 a former sideman of Coltrane's, Pharoah Sanders, stepped out from the shadow of his mentor and recorded Karma, which bore the soul of Coltrane's musical and spiritual passion.
Karma was released four years after his first record as a leader, Pharoah's First (1965). While working with Coltrane, Sanders began to develop an aggressive tone that ripped into an anarchaotic passion owing as much to Coltrane as Albert Ayler. His records as a leader did not always reflect the raw energy that would show up on Coltrane classics such as Ascension. His 1966 Impulse! debut, Tauhid, is a great example of this. Sanders let the work take on a generalized groove that worked with the mood created in each piece. In doing so, he created not only his best pre-Karma record, but one of his finest overall. After Coltrane's death, Pharoah worked with his widow Alice before setting to work on what would become Karma.
As with many records of the mid to late-'60s/early '70s, Karma is based primarily around the first of two album tracks, “The Creator Has a Master Plan.” The track is one of the finest and best-executed and edited jams ever caught on record, though many critics would and will argue with that statement. The master plan of tracks on contemporaneous Miles Davis records like In a Silent Way or Bitches Brew was created by the editing and production efforts of Teo Maceo. Recordings like Free Jazz or Ascension, in contrast, worked by virtue of the way they tore down sonic and musical boundaries. Sanders incorporates these values into “The Creator,” making it more than just a loose jam; no matter where Sanders goes, he is in total control. Even as the piece peaks into volatile eruptions roughly sixteen minutes in, he saddles the passion and works the track back into the initial groove that was comprised its first movement.
”Creator” comes in at 32:47 and wastes not a single note. Opening with a virtual rush of sound, it then quiets down and drops a brief riff from A Love Supreme. The tune then works itself into a groove that would later be known as acid jazz, working with Eastern percussion and allowing the bass to float close to the front of the mix. This first section relies on a modal two-chord structure that keeps the tone bouncy and meditative. At eight minutes Leon Thomas begins a chant-like vocal that varies lines from the mantra “The creator has a master plan, peace and love for every man.” The vocals drop and the third movement becomes an unrelenting Coltranesque blitz that tears the mellow mood apart, only to combine the angst and mellowness in the next movement and settle back into a reprise of the first fourteen minutes.
”Colors,” on the other hand, is a shorter and more structured piece that features some solid and well-executed chops. Again Leon Thomas sings, and Ron Carter takes over the duties of Richard Davis and Reggie Workman.
Love or hate the music of Pharoah Sanders, you cannot deny the man's vision after hearing this record. His is an absolute genius approach to arrangement and performance. Though Sanders would release many great records and even mellow his distinctive tenor sound down, Karma is a record that deserves to be heard by any serious jazz fan.


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http://rapidshare.com/files/6878062/Karma.rar.html
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THIRD EAR BAND : (NewAge) Magic(al) Music (UK'97)

Third Ear Band music is a reflection of the universe as magic play illusion simply because it could not possibly be anything else. Words cannot describe this ecstatic dance of sound, or explain the alchemical repetition seeking and sometimes finding archetypal forms, elements and rhythms - contradictions are their energy force, dualities are discarded in favour of the tao, each piece is alike or unalike as trees, grass or crickets. This is natural, magical music that doesn't preach, but just urges you to take your own trip.

Here's the Deal :
http://rapidshare.com/files/6876023/3EB.rar.html
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GONG : LA MUSIQUE DU SILENCE (1971-1973)

127 Minutes of Music from the Planet Gong


1. Blues for Findlay
(Continental Circus Soundtrack - 1971) (11.19)

2. Continental Circus World
(Continental Circus Soundtrack - 1971) (04.13)

3. What Do You Want ?
(Continental Circus Soundtrack - 1971) (09.05)

4. Blues for Findlay
(Instrumental Version 1971 - Gas Tape) (09.39)

5. Blues For Findlay
(Live 1972 - Gas Tape) (11.29)

6. Flying Teapot Suite
(Live 1972 - Gas Tape) (28.25)

7. Vague Noises
(Unreleased 1971 - Gas Tape) (04.38)

8. Haystack - I´ve Bin Stoned Before
(Live in France 1971 - Gas Tape) (5.53)

9. Glad Stoned Buried Fielding Flash and Fresh
Fest Footprints in my Memory
(Live @ Glastonbury Fayre Festival,June 1971) (25.14)

10. Tic Toc
(Live au Bataclan 1973) (5.51)

11. Taliesin
(Live au Bataclan 1973) (6.58)

12. You Can't Kill Me
(Live au Bataclan 1973) (7.03)


Here's the Deal :

Part 1
http://rapidshare.com/files/6622949/Gong_1.rar.html

Part 2
http://rapidshare.com/files/6624073/Gong_2.rar.html

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GATHERING OF THE TRIBE (US'66-'70)

Psych! Psych!! Psych!!!

Coloured Visions for your 3rd Eye


1. The Deep
2. The Chants
3. The Plague
4. The Bards
5. Indian Puddin' & Pipe
6. Music Emporium
7. Macabre
8. Josefus
9. Headstones
10. Unrelated Segments
11. Larry & the Blue Notes

Here's the Deal :
http://rapidshare.com/files/6618364/Gathering_of_the_Tribe.rar.html
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KRZYSZTOF KLENCZON : TRZY KORONY (POLAND'71)

Fuzz Psych Monster

Over the top Heavy Fuzz Garage Psych LP by former member of Czerwony Gitary.
Sounds like the guitarists of Smack,San ul Lim and Baumstam teamed up to back him on this project.Incredible! Also has some Pop Psych moves but is overall one of the top 5 Psych Lp's from all of eastern Europe.

Here's the Deal :
http://rapidshare.com/files/6616106/Klenczon.rar.html
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VAN MORRISON : VEEDON FLEECE (1974)

This is for Ida

Few words to say about this one.One of my favourite albums EVER.

The songs on this LP are still in heavy-rotation on the juke-box of my mind.

Here's the Deal :
http://rapidshare.com/files/5908095/Veedon_Fleece.rar.html
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SUN RA & His ARKESTRA : STRANGE CELESTIAL ROAD (1979)

Big Band from Outer Space

Sun Ra : Electric Piano,Organ,Synth,Celesta
Michael Ray : Trumpet
Curt Pulliam : Trumpet
Walter Miller : Trumpet
Craig Harris : Trombone
Tony Bethel : Trombone
Vincent Chancey : French Horn
Marshall Allen : Alto Saxophone,Flute
John Gilmore : Tenor Saxophone,Percussions
James Jackson : Flute,Bassoon,Percussions
Eloe Omoe : Baritone Clarinet,Flute
Danny Ray Thompson : Baritone Saxophone,Flute
Kenny Williams : Tenor & Baritone Saxophone,Flute
Noel Scott : Alto & Baritone Saxophone
Hutch Jones : Alto & Tenor Saxophone
Sylvester Baton : Reeds
Skeeter McFarland : Electric Guitar
Taylor Richardson : Electric Guitar
Steve Clark : Electric Bass
Richard Williams : Bass
Harry Wilson : Vibraphone
Damon Choice : Vibraphone
Luqman Ali : Drums
Reg McDonald : Drums
Atakatune : Percussions
June Tyson : Vocals
Rhoda Blount : Vocals

Variety Recording Studio, New York, 1979.

Here's the Deal :
http://rapidshare.com/files/5902753/Strange_Celestial_Road.rar.html
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